Mental Health Awareness Week with NRTF

NRTF Staff and Board Members
Away Day March 2023

As employers, NRTF has a responsibility to ensure that our staff are well looked after, and their well-being & mental health is taken care of. This means creating an environment where people can feel safe, secure, and valued.

We are currently exploring the Conscious Leadership approach to employment. This approach encourages employers to be more mindful of their staff’s emotional needs and create a culture of trust and respect in the workplace.

Here’s what the team had to say:

“I try to make sure I leave the house for a short walk or a run everyday, working from home can easily fall into a pattern of never going outside, but I find I am so much more focused and energised if I am able to do this. It’s also brilliant that NRTF supports and encourages this.”

Hattie Thomas – NRTF Membership Manager

“I make sure I turn off all notifications on my phone and I don’t have work emails on it. I try to get to an exercise class at least 3 times a week and I get up and move around between meetings. I also try to keep external meetings to 30 minutes so I don’t get overwhelmed with Zoom fatigue.”

Holly Lombardo, NRTF Director

At NRTF we all work remotely so it is important we have the means and strategies to stay connected and to replicate the in-person experience as much as possible. We are building our systems with this as an aim. We promote a space of balance including regular group check-ins, one-2-ones, workload assessments and encouraging the team to feel confident and able to take time out in the day for rest, exercise or a mindful activity.

By taking steps to ensure that our employees are taken care of, we create a healthier work environment for everyone. We help the team reach their full potential, be productive and proud of their role outputs.

Supporting Mental Health at the NRTF Conference

Part of our commitment to making the Conference as accessible as possible, includes adopting a relaxed and welcoming atmosphere to help everyone feel safe and comfortable. We will have chill out spaces available, and attendees will be welcome to step out and take a moment whenever they need to. If you have any worries about attending the conference, please do get in touch and we will do our best to help put you at ease, you can contact our Project Manager Jess on

Mental Health Support Lines

Below are a list of organisations you can contact for support if you are struggling with your mental health. Our friends at Rural Arts have also produced a comprehensive resource page which you can find here.


To talk about anything that is upsetting you, you can contact Samaritans 24 hours a day, 365 days a year. You can call 116 123 (free from any phone), email or visit some branches in person. You can also call the Samaritans Welsh Language Line on 0808 164 0123 (7pm–11pm every day). 

SOS Silence of Suicide – for everyone 

Call 0300 1020 505 – 4pm to midnight every day Email 

SOBS – Survivors of Bereavement by Suicide 

Support for people who are bereaved  suicide – 0300 111 5065 


If you’re experiencing a mental health problem or supporting someone else, you can call SANEline on 0300 304 7000 (4.30pm–10.30pm every day). 

National Suicide Prevention Helpline UK. 

Offers a supportive listening service to anyone with thoughts of suicide. You can call the National Suicide Prevention Helpline UK on 0800 689 5652 (open 24/7). 

Campaign Against Living Miserably (CALM). 

You can call the CALM on 0800 58 58 58 (5pm–midnight every day) if you are struggling and need to talk. Or if you prefer not to speak on the phone, you could try the CALM webchat service. 


If you would prefer not to talk but want some mental health support, you could text SHOUT to 85258. Shout offers a confidential 24/7 text service providing support if you are in crisis and need immediate help. 


Free, live instant chat service for people experiencing a bereavement. ttps:// 

TAIL Case Study: Book Sleuths in a Bind: ‘A Very Puzzling Case’ Teasel Productions with Hertfordshire Libraries

Project Summary 

Book Sleuths in a Bind: A Very Puzzling Case was an interactive theatre show for families, specifically those with children aged between 7 and 11. At the opening of the show, the Sleuths learn that the Reading Rug – a key (but fictional!) feature of all library events – has mysteriously vanished, and they have been tasked with tracking it down. During the show, audiences had the opportunity to join in the sleuthing: creating an E-fit based on a description, decoding numbers, solving a riddle, completing a rhyme and examining evidence. To do this, each child was provided with a Sleuth’s Sleuth Proof – containing stencils and template for the E-Fit, a pencil and paper. They were also given a free sheet, containing a welcome note, company biographies and puzzles. 

The Book Sleuths toured 15 Hertfordshire Libraries in the October half-term break 2021. We performed 19 shows in total, all across the county. The project received funding from ACE Project Grants, and sponsorship from local businesses Auria Accountancy and Simmons Bakers. Hertfordshire Libraries provided considerable support-in-kind, including extensive staff time, the use of libraries and a rehearsal room. We were also supported by TAIL, and Hertford Theatre through the loan of costumes. 

Facts and figures

The show was a commission by Hertfordshire Libraries, who wanted an arts event to entice families back into their spaces after the lockdowns. This was to be a first for the service, they had previously hosted creative work but not collaborated with artists to make a show specifically for them. Given the local nature of the project, I was keen to engage local creatives: Hertfordshire-based Kate Miller and I developed and wrote the show, Nancy Surman designed the set and costumes. After 9 days of rehearsal, the tour took place over 9 days, taking in libraries of all sizes. With the exception of two libraries, we only played each of our libraries once, plus additional shows at Hatfield for Prize Draw Winners from the Summer Reading Challenge. These latter shows were free to attend, but for all other performances we charged £7 for adults and £5 for children. Our audience feedback generally suggests that this was fair and accessible pricing. If we hadn’t charged, the project would not have been possible in our time frame, at this turbulent time and with an under-15k ACE bid. Our feedback shows that the majority of people heard about the show through posters or bookmark-flyers in their local library. We also made thorough use of the libraries’ social media accounts, particularly Facebook. We did manage to secure one radio interview, but other than that our press releases were not picked up by local press outlets.  


One of our main barriers was, of course, Covid-19 and the uncertainty that caused and continues to bring. We initially scheduled the project for summer 2020, but moved it to the October due to restrictions and the lack of confidence around indoor events. Another challenge was just the newness of the working relationship. It was my first time working this closely with a service under a local council, and, as I say, the libraries first time working this closely with an artist. Libraries have to work in very different ways to theatres and arts venues, it’s a completely different set-up with a great many tiers of hierarchy. However, my three key libraries staff – Audience Development Manager Shirley Everall, Young People’s Librarian Jane Mellors and Project Librarian Izzy Martin – could not have been more supportive of the project. All three gave a great many hours to Book Sleuths, above and beyond anything they anticipated. 

This enthusiasm was largely reflected in the wider libraries staff. Some libraries were more confident, for those who weren’t this was often a reflection of new staff being in post, and, again, concerns about Covid. However, Kamal at Tring Library was just terrific and deserves a mention! Izzy did a brilliant job of making sure all the libraries knew who and what to expect on the day, so we had very few problems there. The only issue we did have was one of our making, when our set was too tall for the (very) low ceiling, but, team work makes the dream work, and we dealt with it. Some shows sold better than others, which is a reflection of a range of factors. It does seem that the personal touch was important, where staff would actively draw people’s attention to the show; we provided every library with a detailed FAQs sheet to help with this. Some libraries had a harder task than others – there is a noticeable trend between lower-income areas and our smaller audience numbers, and our audience figures mirror the ACE Arts Engagement Indices from 2010. Also, at the time of marketing, most schools were unable to be receptive to communications from the libraries service, which is usually a strong avenue for libraries in the run up to events. There are discussions to be had about how we reach those people who don’t usually engage with the libraries service, as the majority of our audiences were already members. However, the aim was to get people back into their libraries, which we certainly did.  

Feedback and Reflections

We considered this as a pilot event, testing the water. In our post-show Q&As, we had numerous requests from parents for this kind of work in Hertfordshire Libraries in the future, which is fantastic. Three-quarters of adults who attended said they were ‘very likely’ to attend a family event at Hertfordshire Libraries as a result of their experience at Book Sleuths, it was clear to anyone watching that the children were engaged and having a good time. The Book Sleuths’ Salute was a particular favourite, especially with library staff! One of the reasons for the success of this project was the bespoke nature: we had a specific age range in mind, we knew it had to fit into libraries of various sizes, we wanted it to be around 50 minutes long and be attractive to families. Another reason for the success was the real partnership with the Libraries Service and the fact that the initial idea of creating a show was theirs, so they had the determination to see the project through and to make it happen. (Shirley’s tenacity is incredible!) Without that, I believe it would have been a different story. 

Early on in the process, I attended online meetings with library managers to outline the show and what they could expect from us, which were appreciated. There is value to be had in the library staff meeting the people making the work. The information that we provided, spear-headed by Izzy, helped them feel secure and confident before the show. At least one member of senior library staff was also present at every show, which I really appreciated and it was a great support to their colleagues. I would also like to say that I really appreciated the support of Karen, formerly at Creative Arts East, who was brought in by TAIL to mentor us. I found our conversations really valuable, especially when I needed a bit of a boost.  

The majority of our performances were well attended, 97% of our young audience said they enjoyed or really enjoyed the show and 11 freelancers received work as a result of the project. Book Sleuths in a Bind inspired children to read and engage with stories, encouraged families to spend time together and sparked imagination and curiosity – all within an accessible, local community setting. In doing so, we contributed to meeting four of the Universal Offers: Children’s Promise, Culture and Creativity, Reading, and Health and Wellbeing. Library staff have reported that they feel excited and ‘fired up’ to further explore the potential of their spaces as performance venues; the local councillor with the Portfolio for Libraries attended three shows, after the first he said ‘this is the future of libraries’. Yes, the project took an incredible amount of work, time, effort and energy, but it gave hundreds of families a wonderful time. I hope rather than being a one off, this is the start of something new, for us and for Hertfordshire Libraries. 

We have a film of Book Sleuths in a Bind, filmed at Bishop’s Stortford Library. (Yes, Michelle, we had a lovely time with you!) If you would like to see that, or have any questions about the project, whether you’re a librarian or a fellow artist, please get in touch with me, I’d love to hear from you. 

Libraries Week

Tell us what you’re up to!

Libraries Week is an annual showcase and celebration of the best that libraries have to offer. Taking  place between the 4th and 10th October, Libraries week 2021 will be celebrating the nation’s much-loved libraries and the central role that libraries play in their community as a driver for inclusion, sustainability, social mobility and community cohesion. 

The Touring Arts In Libraries (TAIL) project is all about boosting the ambition of libraries to deliver a programme of touring work. We know taking arts into these open, friendly, public spaces is both positive and inspiring not just for those communities but also for library staff, and artists. 

We want to promote Rural Touring arts activities in libraries by sharing your events with our project partners, forum members and followers.

So don’t hesitate to email Jess Huffman TAIL project manager on with links and details of what you’re up to. Let us help you to shout about it!

What else is the TAIL project doing for Libraries week? 

Our monthly mail out will highlight the latest project news and opportunities for libraries, schemes and artists. Including touring shows, new library specific commissions, Go See Grants, and artists workshops.

On Monday 11th October as part of our Mechanics: Online Rural Touring Workshops for Artists, we’ll be running an interactive session that will include feedback from artists with library touring experience and a chance to pitch your own creative ideas. 

To join us or find out more about the Mechanics Workshops programme go to: 

For more information on Libraries week go to: 

Keep up to date by following @librariesweek and share your plans at #LibrariesWeek.

For more information on the NRTF’s Touring Arts in Libraries (TAIL) project go to: 


Truth Sleuth in Thrills, Chills and Chemical Spills

A choose your own adventure by Modest Genius

Hello! We’re delighted to let you know about Modest Genius’ brand new ‘choose your own adventure’ digital game, that will be available for communities, festivals, libraries, organisations, schools & venues to engage with across the UK and the world from June 2021

Truth Sleuth in Thrills, Chills and Chemical Spills is an interactive storybook with a series of binary choices that take the player on branching narratives. The game explores bias and trusted sources, linking the player’s choices to integrity level. In order to win the game you must maintain a high integrity level so that the town of Amberville believe in your accusations.

Modest Genius have developed a choose-your-own-adventure style computer game. Through an original and engaging interactive story set in the library, discover tools for revealing bias, recognising hidden agenda and separating fact from opinion.

Average gameplay time: 60 minutes

Age guidance: 7+

Truth Sleuth needs you…

From June 2021 we are inviting communities, festivals, libraries, organisations, schools & venues to engage with our digital offer, by offering your audiences the opportunity to play Truth Sleuth as part of your digital programme. The game will be available to download for FREE – with generous support and funding we are in a position to make this game as accessible as reach as far and wide as possible as we learn to live, think, come together and adapt to these topsy turvy times.

If you would be interested in finding out more, in hosting and sharing this digital piece with your audience and communities please email Pound Arts at

Facebook – @modestgeniustheatrecompany/@thepoundartscentre

Instagram – @truthsleuth_mgtc/@poundarts

Twitter – @poundarts

Website –

TAIL Project Unlocked: Spot On Stories

The NRTF TAIL Project, is a 2 year ACE funded initiative that looks to bring the rural touring and library sector together to promote, strengthen and boost opportunity for programming and delivering touring arts in libraries.

The TAIL Project’s ‘Unlocked’ series works by promoting digital and COVID safe content to libraries from across the rural touring sector to encourage collaboration and support libraries to discover and deliver a high quality creative programme to their service users despite ongoing restrictions.

This month we’re putting the spotlight on….

Spot On Lancashire, who bring professional performances to rural communities and library spaces all over the county, launched a digital project entitled Spot On Stories when lockdown began in March 2020.

In partnership with Lancashire Libraries, the intention was to bring artists and their pre-recorded stories directly to Lancashire audiences in their homes. This offered audiences access to great art when they wanted, where they wanted. As the lockdown continued, the focus of the project shifted slightly with a marketing angle of ‘taking ten minutes out’, encouraging people to set aside the stresses of the day and use these video stories as a means to indulge in culture, reflect and rest.

The first mini-show to be broadcast was for children and families. Theatre Fideri Fidera’s ‘Meet Ugg ‘n’ Ogg’ was an adaptation of their live show which was due to be hosted in Lancashire over Easter 2020. Spot On worked alongside the theatre company to create an exclusive performance for Lancashire audiences which aired in April 2020 via the Spot On Facebook page, website and YouTube channel. The programme of events continued to grow each week culminating in a successful commission from The Space for further digital mentoring and support and two more seasons of activity. (Further library funding has just been secured for a ‘Flash Fiction’ season soon to be launched) 

Spot On Stories content is available for free via social media channels and over the year has welcomed over 30 co-hosts who can share the videos with their own audiences. Spot On is keen to hear from other library services and organisations who are interested in becoming co-hosts. With nearly 50,000 views of seasons 2 and 3 it’s clear there is an audience for digital performance and increasing the geographic spread of the sharing results in additional brand awareness and helps increase public awareness of the artists and their work.

The project has commissioned over 40 short videos to date; a mixture of content specifically made for children and families, grown-ups, a two part panto themed production, traditional tales made modern, contemporary dance, music and even bingo… there’s a lot to choose from!

Programme Manager, Lyndsey Wilson explains: “Creating these micro shows hasn’t just offered the Library Service a means of increasing contact with their users, it has been a lifeline for artists and for the Spot On team who needed to continue producing something positive during this uncertain time.”

Cultural Development Manager for Lancashire County Council, Heather Fox notes: “Spot On responded so quickly and positively to serve library users with some amazing stories. It has meant that we’ve been able to sustain engagement with our users throughout these difficult times.”

What began as a temporary project to fill a programming gap, providing some much needed funding to artists and providing audiences with great content, has blossomed into an additional strand of work for this organisation, with intentions for this programme to continue as part of the Spot On cultural offer. If you are interested in learning more about the project and getting involved either as an artist or a co-host please contact Spot On for further details.

For more information including the programme of events and links to each show visit

Spot On Youtube Channel:

Spot On Facebook:


Notes for editors:

High res images available on request

Spot On Lancashire is a countywide service which enables people living in remote and rural communities to enjoy high quality live arts events on their doorstep. Spot On do this by working in partnership with over 200 volunteers and appear in over 50 different small places each year.

Spot On enables volunteers to choose and host professional performances and our support makes shows which could only otherwise be seen in urban arts centres, available to smaller communities.

Spot On is delivered by Blackburn-based Culturapedia, as part of the Cheshire Lancashire Touring Partnership with Lancashire County Council and Cheshire Rural Touring Arts.

Spot On is part of the national portfolio of the Arts Council England and is also invested in by Lancashire County Council and the districts of Fylde, Ribble Valley, Wyre and the Unitary Authority of Blackburn with Darwen.

Spot On can be contacted at:

c/o Culturapedia

The Barn, 61A Manor Road, Blackburn BB2 6LX

01254 660360