Join us on 28th March at 2pm on Zoom for What Next? Rural, focusing on:
Equity & Equality in the Rural Touring Sector
An opportunity to discuss how access and diversity help us to create a more equal rural touring sector.
What do we understand ‘equity’ & ‘equality’ to mean? How does it relate to the work we do in the rural touring sector.
Hannah Prior theatre maker, arts leader and co-founder of participatory theatre organisation Ignition CIC is an advocate and champion for equity of access, enabling better creative opportunities for disabled people. Hannah will be introducing us to the Open Access Training she runs, focusing on the key areas of the Social Model of Disability and facilitating a discussion that will include practical tools and tangible examples.
Following this is an introduction to the team at Black Country Touring who will share what they set out to do in diversifying their team, what they achieved, what they learnt and what it has inspired them to do going forward.
This session is open to members and non members of NRTF, so if you would like to join us but you aren’t a member and you aren’t signed up to our mailing list, please register your interest by completing this google form.
A Zoom link will be sent out on 27th March, to everyone on our mailing list, and those who have completed the sign up form.
If you would like to become a Member of NRTF, you can do this at anytime here.
From April this year (2023) we will be sending out quarterly email newsletters to anyone who wants to sign up for them! This will be very much like our usual Member newsletter, with NRTF updates, Rural News and National Opportunities, but even if you aren’t an NRTF member yet, you can still sign up for it by filling in your details on this google form.
This will run alongside our quarterly What’s Next? Rural online meetings, which are also open to non-members, more details about those can be found here.
If you would like to become a Member of NRTF, you can do this at anytime here.
‘BURNOUT’, a dance film rehearsed by eighteen young North Devon dancers over Zoom during 2021’s lockdown, has been selected for the 2021 Los Angeles Dance Shorts film festival. Taking place in person in Los Angeles on 13th November and online 13th-19th November, the festival attracts entries from across the world. Last year’s festival featured films from countries including Korea, Ghana, Brazil, Mexico, and the USA.
“We’re thrilled to be one of only 18 dance films from across the world selected for the 2021 LA Dance Shorts film festival,” said Claire Ayres, Creative Producer at Beaford. “It’s incredibly exciting to think that our four minute film, which delivers important messaging and is the product of seven months of hard work, will actually be screened in LA! We’re taking this dance style back to its roots, and with it a piece of North Devon.’
BURNOUT was conceived by leading London hip hop theatre artist Joshua ‘Vendetta’ Nash, an expert in the Krump style of street dance which originated in South Central LA. The danceform enabled the young North Devon dancers to express the frustrations they felt during lockdown; the post-lockdown filming on Woolacombe Beach was their first opportunity to perform Joshua’s work together.
“It was incredible working with the young people over Zoom to choreograph a film which has been born directly out of the pandemic,” said Joshua Nash. “The film is a real celebration of people coming back together, difference and how we can all start to look ahead after a difficult year.”
BURNOUT was commissioned by Beaford, England’s longest-established rural arts initiative, and the Rural Touring Dance Initiative (RTDI) – a ground-breaking national partnership bringing the best in contemporary UK dance to rural audiences.
“This was a great collaboration. Extremely talented dance artists working alongside community participants to create something of high quality”, said Claire Smith, Director of the RTDI. “This opportunity came at the right time for the young people and the artists – it gave a crucial outlet for expression to rurally isolated young people and a much needed chance for Josh and his dance artists to be creative whilst they were all negotiating the pandemic.”
The film was directed by Gemma Pons Alsina, who lives in Croyde, North Devon. Gemma’s other dance films, filmed outdoors in the globally significant natural environment of North Devon’s UNESCO World Biosphere Reserve, have attracted over 100,000 views.
“When people watch and value the effort you’ve put in to your creative work, it’s very fulfilling. BURNOUT is the result of good teamwork and being selected for the LA Dance Shorts film festival is a great success!”, said Gemma.
Rural dance returns: An eclectic mix of shows to visit village venues this Autumn
Rural Touring Dance Initiative brings dance back to rural venues with a programme of seven works from leading dance companies comprising new shows and returning favourites.
Mr & Mrs Clark – Louder is Not Always Clearer 23 Sep – 25 Nov
Sonia Sabri Company – Same Same…But Different 1 Oct – 14 Nov
Joshua ‘Vendetta’ Nash – Blacklist/Fig Leaf 6 Oct – 14 Nov
Scottish Dance Theatre – Antigone, Interrupted 7 – 15 Oct
Jo Fong and George Orange – The Rest of Our Lives 21 Oct – TBC
Edifice – Salomé 27 – 30 Oct
Chris Patfield & José Triguero – Gibbon 12 – 13 Nov
A fresh selection of shows covering ageing, masculinity, Greek myths and table tennis, created by dance companies after an open call-out which attracted more than 70 applications, is set to take to village halls and rural venues across the UK this Autumn. The shows have been put through a rigorous selection process by the Rural Touring Dance Initiative, and have been selected by local promoters from ‘menus’ which enable them to choose the work that best suits their venue. They represent an incredibly diverse canon of work that offers a very current and exciting view of what contemporary dance can be, and in small rural spaces where you wouldn’t expect to find it. As well as selected pieces, the menu will include specially commissioned works Antigone Interrupted from choreographer Joan Clevillé for Scottish Dance Theatre, and The Rest of Our Lives from Jo Fong and George Orange. The initiative, which aims to find new audiences for dance and making the art form accessible to everyone by presenting in local spaces, is a partnership between the National Rural Touring Forum, The Place, China Plate and Take Art.
Ralph Lister from Take Art said on behalf of RTDI: “After all the disruption and uncertainty of the last 18 months, we are delighted to once again be offering a full live programme. We know rural audiences and artists enjoy the intimacy and shared experience of rural touring and look forward to many more memorable shows. Many shows were postponed in 2020 and earlier in 2021; during this tough time we supported RTDI artists through a programme shared digitally and provided them with ongoing support to bring us to this exciting moment.”
A young girl ready to die to defend what she thinks is right. A king determined to impose his will as the rule of law. Commissioned by the RTDI and presented by Scottish Dance Theatre, Antigone, Interrupted re-imagines the 2,500 year-old Greek myth for the modern world through the body and the voice of a single performer. From the team that brought you Plan B for Utopia and The North, this new work by choreographer Joan Clevillé packs all the drama, passion and big ideas of a Greek tragedy into a one-woman tour de force by acclaimed performer Solène Weinachter.
Also specially commissioned by RTDI, The Rest of Our Lives by Jo Fong and George Orange is a cabaret of life – and near death. Jo is an old dancer, George an old clown. They’ve both reached the mid-way point of their lives, and now they’re wondering, what next? Armed with a soundtrack of floor-fillers, a book of raffle tickets and a sprinkling of eco-friendly glitter, they joyfully negotiate middle-life together with humour, tenderness and outlandish optimism. There will be table tennis!
Joshua ‘Vendetta’ Nash is known as one of the UK’s leading Krump dancers, a highly athletic form of street dance characterised by free, expressive, exaggerated, and highly energetic movement. He presents a double bill of shows for the Rural Touring Dance Initiative. Blacklist is an explosive piece asking how we cope with inner conflict, which delves into brotherhood, isolation and friendship explored through hip hop, Krump and theatre. Fig Leaf questions what it means to be a man, and when masculinity becomes toxic. Joshua and RTDI recently released short film Burnout which explores the struggles of today’s youth, especially in light of the pandemic’s enforced isolation. Set in London and the stunning rural North Devon coast, with three professional adult dancers and eighteen youth dancers, Burnout highlights the importance of connecting with the natural environment and can be viewed here: http://www.ruraltouring.org/burnout/
EDIFICE Dance Theatre’s thrilling new take on Oscar Wilde’s classic Salomé takes audiences on an extraordinary journey into a world of rejection and religion, lust and death. Through their unique hybrid language, which combines live classical music, ballroom, Latin and contemporary dance, choreographer-dancer duo Carmine De Amicis and Harriet Waghorn tell the tragic story of the Biblical princess in a completely unique way
Same Same…But Different from Sonia Sabri Company is a fun family show about our curiosities and fears, the times we feel different and when we belong. Blending Kathak, hip hop and beatboxing styles, three performers create a playful, colourful world celebrating our individuality, diversity and the bonds which connect us all.
Returning to the rural touring circuit in autumn,Louder Is Not Always Clearer from Mr & Mrs Clark is a funny and honest portrayal of difference and empathy. Meet Jonny. He loves to dance, but he can’t hear the music unless the bass is turned right up. Jonny was born deaf and grew up in a hearing family, surrounded by hearing friends who did not use the word deaf. In a hearing world Jonny is different and Louder Is Not Always Clearer highlights those differences in a warm and humorous way.
Also returning is Gibbon, from breakout juggling stars Chris Patfield & José Triguero,a humorous and surreal show combining mesmerising juggling with dance and physical theatre. Together they explore the absurd and comedic in what it is that drives us to try and try again. Lifting the veil on the rehearsal room Gibbon shows how two charming performers work at working as one.
Speaking about the forthcoming season Christina Elliot, Senior Producer and RTDI partner from The Place, said “We have been delighted with the enthusiasm with which venues and audiences have embraced dance through this project. This enthusiasm is matched by the artists taking part. In many cases it has been a revelation of what touring can be – warm welcomes, open minds and hearts, and an intimate connection and conversation between an audience and the work on stage. In those moments when the magic of live performance is palpable, it’s clear that, despite the different priorities and challenges we might juggle, we – artists, promoters, programmers, producers – are all working towards this same uniquely special moment.”
In 2015 The National Rural Touring Forum joined forces with The Place, China Plate and Take Art to launch a brand-new initiative designed to assist in the making and touring of contemporary accessible dance to rural areas. The project was set up to address the paucity of dance performance happening in rural areas in smaller community venues. The project has been made possible by a grant from Arts Council England’s Lottery funded Strategic Touring Programme. Due to RTDI successes in November 2017 the project was given a further £417k to develop the project until 2021. Over 160 performances have taken place to date along with numerous workshops and training opportunities for artists.
The Rural Touring Dance Initiative is a partnership project led by The National Rural Touring Forum with The Place, China Plate and Take Art. The project is funded by Arts Council England through its Strategic Touring Fund. The Rest of Our Lives is supported by Arts Council of Wales
Please note dates may be subject to change, please contact local schemes for confirmed details
For a raw and powerful dance film about the importance of space and time off for mental health, about looking after yourself in isolation, and releasing frustration,Burnout will see students from Unlimited Dance Company in Barnstaple perform together on Woolacombe Beach on Sunday 6th June. The Devon dancers have rehearsed with the London dance company during lockdown, learning Joshua Nash’s choreography over Zoom, and will perform it together with Joshua for the first time when it is filmed. Reflecting the journey of young people during the pandemic, the film will be a chance to let it all out through the physicality of krumping, and to reconnect with friends and loved ones. They will be joined by professional dancers recording their parts in London, juxtaposing the urban city and the rural North Devon coast. The film has been commissioned by Beaford and Rural Touring Dance Initiative (RTDI); earlier this month, RTDI and The Place co-commission In A Nutshell by Lost Dog was nominated for Best Short Dance Film at the National Dance Awards.
The final film will be released to the public on 7th July on social media.
Joshua Nash is a freelance hip hop theatre artist whose movement language is focusing on Hip Hop, Krump and House. He is reputable as a core member of Botis Seva’s company Far From The Norm, with performance credits including Channel 4 Random Acts, BBC Performance Live with Studio Wayne McGregor and Sadler’s Wells 20th anniversary triple bill Reckonings. He was due to perform a rural tour with RTDI in 2020,
North Devon professional freelance film maker Gemma Pons Alsina, a keen dancer herself, has already filmed and edited five adult community dance routines during the Covid-19 lockdown year on location within the North Devon Biosphere – including Braunton Burrows, Ilfracombe Harbour and Barnstaple. The first ballet piece, performed by dancers of mixed abilities, received over 100,000 views globally. Gemma is Spanish-born and based in Croyde, North Devon
Joshua Nash said, “This has been such an exciting project to work on over the past few months. It’s been incredible working with the young people at Unlimited dance over Zoom to choreograph a film which has been born directly out of the pandemic. Krump is an artform which is still quite new within the hip-hop dance world, so having the opportunity to share it with young people who live in Devon and might not have done anything like this before has been special. The film will be a real celebration of people coming back together, difference and how we can all start to look ahead after a difficult year.”
Beaford is England’s longest-established rural arts initiative, supporting rural creative development and providing access to high quality arts experiences across rural north Devon for more than 55 years. We are innovators in rural community engagement, cultural education, and artistic leadership, always looking to seek out entertaining and extraordinary ways to explore our land, lives and future beaford.org
The RTDI is a partnership between the National Rural Touring Forum, The Place, China Plate and Take Art.
In 2015 The National Rural Touring Forum joined forces with The Place, China Plate and Take Art to launch a brand-new initiative designed to assist in the making and touring of contemporary accessible dance to rural areas. The project was set up to address the paucity of dance performance happening in rural areas in smaller community venues. The project has been made possible by a grant from Arts Council England’s Lottery funded Strategic Touring Programme. Due to RTDI successes in November 2017 the project was given a further £417k to develop the project until July 2021. Over 160 performances have taken place to date along with numerous workshops and training opportunities for artists.
The Rural Touring Dance Initiative is a partnership project led by The National Rural Touring Forum with The Place, China Plate and Take Art. The project is funded by Arts Council England through its Strategic Touring Fund.
As part of our Touring Arts in Libraries (TAIL) Project, the NRTF is proud to announce a joint commission with Farnham Maltings of £10,000 to create a new piece of theatre for libraries.
Committed to delivering high-quality artistic work and cultural experiences, the NRTF’s TAIL project is about maximising the potential of our nation’s libraries to deliver a programme of touring arts. The Farnham Maltings New Popular programme; a five year initiative supported by Esmée Fairbairn Foundation tests and creates new theatre with the ambition of reaching broader audiences, in new places with new experiences. It was an obvious opportunity to collaborate.
Libraries were integral to the communities they served before the lockdowns; now firmly established as an essential service for recovery from the pandemic, uniquely equipped to keeping communities connected and supporting the most vulnerable.
This creative partnership delivers the Art Council England’s commitment through the Let’s Create Strategy 2020 – 2030 to establishing libraries as “ the first point of access to cultural activity,” it supports the “development of creativity and the promotion of culture across this country,” and provides further evidence for building “stronger, happier communities “ through the arts.
A key aim of the TAIL project is to support existing and new creative work designed specifically for touring in libraries. We see this as a fantastic opportunity for an artist to develop and showcase their creative ideas to libraries in Buckinghamshire and Surrey this Summer with additional funds to support the piece touring to a wider network of libraries across the UK in 2022. This commission will see the creative and public sectors working collaboratively to bring communities back together.
The case studies will create a national picture of activity and expertise across the UK, highlighting the various challenges and barriers, knowledge, skills, successes and potential for delivering an arts programme into Libraries. These case studies will be available to share, will help determine what support and skills our project can provide, allow us to promote the work and activities already happening and to identify and value the expertise that already exists. To share your knowledge and experience please click on the link below to complete the case study form: Touring Arts in Libraries Case Study Form Please pass this link on to others you think may have experiences they wish to share. The deadline for submitting case studies is 31st January 2021.
This short form is designed to help you asses whether or not your show is Rural Touring ready. We take you through the very basic needs of rural touring and give you a list of things to consider. We also point you to other helpful resources and pages along the way. Please note this form is NOT a way of submitting your show to be considered for touring but should be used as a tool to equip yourself with the knowledge you need to approach schemes.