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Unconscious Bias Training
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Becoming Part of the Community
How To Get Your Show Rural Touring: The Importance of Doing Your Homework
8 reasons to attend this years conference if you’re a promoter…
A Very Special Thank You to Barbara Slack
Artist Perspective: Up The Road Theatre
Artist’s FAQ (COVID Edition): What Do Schemes Need To Know?
Artist’s FAQ (COVID Edition): When are schemes looking to start programming and touring again?
Artists FAQ (COVID Editing): Are other creative ideas being discussed?
Artists FAQ (COVID Edition): I don’t want to create digital work – is that going to harm my career?
Artists FAQ (COVID Edition): Is outdoor work being considered?
Artists FAQ (COVID Edition): What about digital work?
Artists FAQ (COVID Edition): When should I be contacting schemes about touring beyond Autumn 2020?
Artists FAQ: How will venues and promoters be operating?
Arts Council England Chair supports vision for the sustainability of rural arts during visit to brand new National Rural Touring Forum Head Quarters
Attending a Menu Launch Party
Celebrating a Rural Touring-iversary with Spiltmilk Dance
Changing Times
CONCERTA – Contributing to Community Enhancement through Rural Touring Arts
CONCERTA Case Study: Volunteers & Rural Touring
CONCERTA Presentation at Hi-Vis: NRTF Conference 2019
Directors Journal – Rural Touring Dance Initiative Meeting
Farnham Maltings and Unlimited Partnership Commission
Full details of Rural Touring Award Nominees 2019
GAIL FERRIN’S TRIP TO ‘BRAW REVEALED’
Guest Blog: Blaize interview Jazz Musician Dave Newton
Guest Blog: Blaize Village Halls Week Interview with Worlaby Village Hall promoter
How I Got Involved with my Village Hall and Rural Touring
How The NRTF Works with Village Halls – and how you can join in!
How to Showcase
Join us in Celebrating Village Halls Week 2020 with ACRE – Call Out
Looking forward to New Directions Showcase 2018
Mumbo Jumbo Artists Report: Performing Live Under Covid Safe Conditions
NRTF – Chair post
NRTF at Latitude Festival
NRTF attends – A Civic Role for Arts Organisations Day
NRTF Board Away Day
NRTF Director goes to Juliet & Romeo
Opening up a New Direction for Theatre Maker Noah: Reflections on This Years Showcase
Reflections on New Directions 2018: Sam ‘Making Work for Rural Touring’
RTDI 2 Launch
RTDI Company Profile: Find out more about bgroup
RTDI Company Profile: Find out more about James Wilton Dance
RTDI Company Profile: Uchenna Dance
Rural Touring Award Winners Announced 2019
Rural Touring Awards Nominees Announced for 2019!
Rural Touring Dance Initiative announces call out for artists
Rural Touring Dance Initiative Phase Two gets underway as it announces Autumn 2018 touring schedule
Rural Touring on Desert Island Discs with Pam Ayres
Rural Touring Recipes
Rural Touring Recipes: Spice Lentil Soup
Rural Touring Stats
Rural Touring Top Tips for Artists: Shane Shambuhu
Saying Goodbye To Rural Arts’ Director Angela Hall
South West Rural Touring Schemes Meet Up
The Early Days of the NRTF
Top Tip for Promoters: Talk us through your apprehension
Tour Pack Essentials
Welcome to the world of Rural Touring…
What is Rural Touring and Why is it Important?
What is the National Rural Touring Forum?
What to Expect from the ‘Rural Touring in the UK’ event at Ed Fringe
Why is Rural Touring so Important?

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Looking for Artists, Performers, Promoters and Venues to give the rural arts movement a stronger voice.

Artists Suitability

This short form is designed to help you asses whether or not your show is Rural Touring ready. We take you through the very basic needs of rural touring and give you a list of things to consider. We also point you to other helpful resources and pages along the way. Please note this form is NOT a way of submitting your show to be considered for touring but should be used as a tool to equip yourself with the knowledge you need to approach schemes.

1 / Step1- Have you ever performed in Rural Touring?

Yes, I have.

No, I have not.

Great! Use this form to remind yourself of some of the ins and outs of planning a Rural Tour

Our biggest piece of advice is to do your homework. You can read this blog post here for more advice on the type of research you should be doing, and, if you’re a member of the NRTF you can download ‘Eyes Wide Open’ for free from our resources page. Continue with this form to find out some more key questions you’ll need to consider when planning a rural tour.

2 / Step2- Does your show have an interval?

Yes

No

That’s great. Intervals are very important to the majority of rural touring venues. This is often their only time to raise any money for the venue (think bar sales and raffles) plus audiences expect a ”full night out”.

Intervals are very important to the majority of rural touring venues. This is often their only time to raise any money for the venue (think bar sales and raffles) plus audiences expect a ”full night out”. If there isn’t an appropriate place for an interval within your show, consider what else you could offer to fill the evening. An entertaining Q and A with the artists? A related quiz? Whatever it is- make sure you think it out and prepare it fully (does it work in context?). If you don’t have an interval or an after/pre show offer you many find it harder to be programmed by promoters.

3 / How long is your show?

Your answer...

This links to having an interval. Rural Touring venues and audiences want a full night out. Shows that are only an hour-long are a lot harder to sell to rural touring venues. Again think about how you can offer a full night out. Can you add a structured Q&A with the artists, or create a themed aftershow quiz? Whatever it is, make sure that any add on is as high quality as your show. If you are selling it to venues as part of the package of the show, it shouldn’t be an after thought.

4 / Are you technically self sufficient?

Yes

No

Remember Rural Venues are unlikely to have any technical equipment. So when we say ‘technically self-sufficient’ we mean the works. You will need to bring your own lighting, sound equipment etc. Even plug sockets can be in short supply at our venues! Anything technical that you need to run the show needs to be on the road with you – including technical staff if they are needed!

Most Rural Touring venues are village halls or community spaces. They do not have a lighting rig, sound equipment or a technician. Everything your show needs technically will need to come with you – including the technician! In our venues even plug sockets can be in short supply!

5 / How many of you are on the road?

Your answer...

When you’re rural touring cast size is important. A large cast can signify to a rural venue a large show and that might prevent them from booking your show for a number of reasons. Does it make the show expensive? Will they need to find accommodation for everyone? Some of our schemes and venues offer homestays, others might offer a budget for you to book your own accommodation. Will the cast fit in their venue? Some venues can only fit 30 – 50 audience members in and they probably don’t have dedicated changing rooms! If you’re hitting the road with a large show that can be a really great thing for rural touring venues and audiences, but just be aware it makes the number of venues who can take the show smaller.

6 / Do you have your own transport?

Yes

No

Great – make sure it’s in good condition, you could be adventuring off the beaten track!

When we say rural, we mean rural. Lots of our venues are in places where there is no public transport. If you are going on a rural tour you will be responsible for getting yourself, and any equipment you need to and from rural venues.

7 / How long is your get in?

Your answer...

A lot of rural touring venues are in high demand. Whether that’s for an afternoon Zumba Class or a Blood Drive. This means the timetabling can be tricky! Not only that but most of our promoters are volunteers, so the longer the get in the bigger ask on the volunteers time. Other venues are hired by the hour by the Promoters – long get ins can be costly. Anything over 4 hours can be difficult for rural venues – not impossible (nothing is impossible) but tricky!

8 / What is the cost of your show?

Your answer...

We want you to be realistic, paid fairly and correctly, however, rural touring shows do not charge high ticket prices (rarely over £10), and they aren’t in large venues so the promoter and schemes cannot afford high price shows. If the production is subsidised then this can help a higher costing show be programmed. Speak with the individual schemes directly about levels of subsidy and realistic fees.

9 / Does your show need a raised stage or raked seating?

Yes

No

Unfortunately, most venues don’t provide a rake. More often than not they are on the flat so you need to be aware of sight lines. For instance, if there are 80 seats on the flat then seated audience members at the back will unlikely see below chest height on the performers. If you do floor work consider setting seats up in the round to get more visibility.

That’s great, but it’s worth checking with any venues you might be programmed into, whether or not there are any other obstacles that, might get in the way of sightlines or alter the capacity of your show.

10 / How BIG is the show? Eg. set, playing space, cast size etc.

Your answer...

As we’ve already mentioned Rural touring venues come in all shapes and sizes, but the majority of them seat less than a 100 people. Promoters need to take into consideration how well your show fits in their venue and how many tickets they need to sell to cover their costs. Bigger casts often mean more expensive shows, but that also means more people to feed and accommodate on the day – Rural Touring Promoters often cook meals for artists, and some even offer overnight stays. If your show is on the larger size just be aware that it narrows down perspective venues.

11 / What is the topic/content of your show?

Your answer...

We never underestimate what our rural audiences want to watch, they love a variety and the NRTF support broadening horizons and exposure to new work and genres. When deciding if you want to rurally tour consider the process of booking and the likelihood of audiences connecting with the piece. You may find the sector slightly more risk-averse than city dwellers. Productions are selected by schemes and then shared in a menu to promoters/programmers of rural spaces, some of these promoters will need to go through a committee to get shows selected. They programme productions for their local community, neighbours and friends so want to be sure that it will be received well. Something to bear in mind when thinking of rural touring and for your marketing materials.

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